![]() The pictures above represent the 'real' size of the plugins window as they appear on a 24 inches. Those features make a real difference between the two. ![]() Samplitude has my favorite editing environment with its object-based editing, great cleanup tools (I have the Pro X3 suite that also comes with Sound Forge Pro 11 and that integrates with Spectralayers Pro 4 amazingly), a pretty good piano roll editor, and an adequate controller surface interface, even though it is a bit confusing at first.īeen using Samplitude since '98 and DP since '91, when it was just “Performer” and MIDI-only. Obviously, MixBus consists of the whole channel-strip in a full software (and is not restricted to the EQ), while the UAD-2 plugin offers a simple EQ. That is not to say Samp and DP are shiite – but they are frustrating much more so than Platinum with its MIDI filters and FX, easy integration with a controller, great piano roll with note mutes, I could go on and on.įor film work, DP is a good program for wrangling lots of sample-based instruments and for creating gigantic templates of orchestral and other sampled instruments. Midi from Audio… it is really impressive.) None of the bugs the other two have, ARA with Melodyne works perfectly, esp. (But my old standbys Samplitude and Digital Performer lulled me away – now I wish I’d stuck with Sonar, frankly. I started with the Pro version rental, and after three months went all out for Platinum during a no-brainer sale they had. It is nice that so many of the DAW folks offer demos, but really, it takes weeks to get used to a program, I don’t care which one it is!Ĭakewalk is still offering their stuff for “rent” so you can play with it a few months and if it isn’t working for you just stop paying. Well, NOTHING will ever come close to Bank Street Music on my Commodore 64 for the rush factor. In addition, each bus send can be 'panned' separately from the master bus pan location. Mixbus32C provides 12 stereo mix-buses, with send-level knobs on every channel strip. We expect this to meet the needs of users who are mixing 8-24 channels. We’ll be learning it at the same time, so don’t look to me for much advice! But Samplitude and DP have just about worn me out with their limitations and shortcomings. 2) Buses: Mixbus provides 8 stereo mix-buses, with send-levels on every channel strip. I guess what I’m saying is, it is worth looking at NOW – it is not entirely different from the one you are used to, either! I’m so impressed by their update schedule that I went ahead and bought into the “updates for life” offer when it was around. I got it during a sale, but let me tell you – since Gibson bought it away from Roland, it is an amazing thing to behold - they update with new features and bug fixes EVERY MONTH!!! At this point, I’d have to tell anyone it is likely the best value for the money in the DAW universe (perhaps besides Reaper, which is dirt cheap and also receives lots of attention, but that is totally new to me having only downloaded it last week). Well, although I use Samplitude Pro X3 the most, and Digital Performer 9.12 on occasion, those update at a glacial pace that is REALLY frustrating (ancient bugs persist over years and years without ever getting fixed), and so I’m really gravitating toward finally jumping into my copy of Sonar Platinum and get to know it better.
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